Of course, viewers are able to tell that she is often lying. Sometimes the camera even gets in on the fun of proving her wrong. In Vladimir's first episode, she boasts that her fellow faculty members devoured the "fuck-you salad" that she brought to a department meeting. As she exits, the camera pans down to reveal the salad, untouched. It's a clever technique, one that allows us to inhabit the role of the many skeptical students the professor will cross paths with. Yet Vladimir rarely returns to it. Instead, as the series progresses, the protagonist's asides stray from professorial monologue to panicked, mid-conversation interjections about her talks with Vladimir. Here, the Fleabag similarities become overbearing, and the lighter tone chafes oddly against the show's more intense subject matter.
"I remember how unreal it all felt, and that we were still in a state of shock," she says.
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